Bill Marks is not a great guy. A drunk, depressing man; is he in any way redeemable? When the flight he is marshalling encounters some unexpected turbulence, can he get those on-board to trust him?
Pleasing tension is backed up by Neeson’s chemistry with Julianne Moore, but the final acts escalation spoils the story. The same point could have been made in a more thought provoking fashion. Neeson continues his older action man success, and texting is shown neatly, but the rest of Non-Stop doesn’t match up, preventing it from hitting the heights of Taken.
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