Hugh Jackman’s time as Wolverine covers the entire comic book movie era. From the X-Men’s leather-clad beginnings, through to his explosive cameo in Apocalypse, it’s fitting that his final appearance as Weapon X proved beyond doubt that adult rated films in this genre were more than a gimmick; they can be brilliant.
Brutal violence makes sense within an at times poignant and thoughtful story. Jackman is immense as a more emotionally withdrawn and spent individual, but it could easily be argued that Keen and Stewart steal the show. I didn’t think the best Wolverine film would contain three broken individuals becoming a family. Who knew? This is a story of Logan finally finding a place in the world, even if it means leaving it. The focus on him and his new family is warranted, but it does limit the bad guys to exposition spouting chaps who seem to constantly exit vehicles.
I didn’t want Jackman to hang up the claws. I wanted him to stick around and crossover with Deadpool. With Logan, I can put that to rest. He can leave the role knowing he’s left it all on the table. You’ll be missed Hugh, but you’ve given us the Wolverine film we all thought you could.
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